Shakespeare’s heirs at the BBC produced this deathless and entirely convincing line as the climax of the first episode of “The Salisbury Poisonings”, a three part piece of state propaganda on the Skripal saga, of which I watched Part 1 as it was broadcast last night. The other two parts are to be broadcast today and tomorrow, which unusual scheduling reflects the importance our masters place on this stirring tale of the resilience of the great British nation under attack by devilish foreigners. You can watch all three episodes now on BBC iPlayer, but personally I suffer from overactive antibodies to bullshit and need a break.
The line about Putin was delivered by salty, ex-British military Ross Cassidy, so of course was entirely convincing. It may have been more so had he ever said it in public before this week, but there you are.
To judge by social media, an extraordinary proportion of the public find the official narrative entirely convincing. I find myself unable to pretend that does not fill me with despair at the future of democracy. That anybody could listen to the following dialogue without doubling up in laughter is completely beyond me. I do not quite understand how the actors managed to speak it.
Porton Down Man: “And it’s one of the deadliest synthetic substances on earth. It’s so toxic that a spoonful, with the right delivery mechanism, could kill thousands”.
Heroic Public Health Lady: “But if it’s so toxic, how come the Skripals are still alive?”
Porton Down Man: “The paramedics assumed that they had overdosed on fentanyl so they gave them a shot of Naloxone, which happens to combat nerve agent toxicity. Plus, it was cold, further inhibiting the speed with which the substance took effect.”
Aah yes, it was cold. A factor those pesky Russians had overlooked, because of course it is never cold in Russia. And everybody knows it is minus 40 inside Zizzis and inside the Bishops Mill pub. Once the nerve agent has entered the body, only in the most extreme conditions could exterior temperature have any kind of effect at all. Neither Sergei nor Yulia was anyway outdoors for any significant period after supposedly being poisoned by their door handle.
Many wildly improbable stories have been produced by the security services over the last three years to explain why this ultra deadly nerve agent did not kill the Skripals. Interestingly enough, the BBC drama left out a detail which the Daily Mail alleged came from a security service briefing, that:
“Completely by chance, doctors with specialist chemical weapons training were on duty at the hospital when the victims were admitted. They treated Sergei and Yulia Skripal with an atropine (antidote) and other medicines approved by scientists from Porton Down, the government’s top secret scientific research laboratory”
Which is very believable, I suppose, because it is no more of a coincidence than the Chief Nurse of the British Army being right there when they first collapsed on a bench.
Yet in all the multiple attempts to explain the non-deadly deadly nerve agent, “it was cold” appears to be a new one. It must have official approval, because all purpose security service shill, warmonger and chemical weapons expert, Lt Col Hamish De Bretton Gordon was listed in the credits as “military advisor” to this BBC production.
Let me offer you this tiny smidgeon of wisdom, for nothing: when the state broadcaster starts to make propaganda videos that credit a “military advisor”, you are well on the way to fascism.
Perhaps wisely, Part One at least of the BBC Drama made no attempt at all to portray how the alleged poisoning happened. How the Skripals went out that morning, caught widely on CCTV, to the cemetery according to this version, and then returned home without being caught coming back. How while they were back in their house two Russian agents rocked up and, at midday in broad daylight on a very open estate, applied deadly nerve agent to the Skripals’ door handle, apparently without the benefit of personal protective equipment, and without being seen by anybody. How the Skripals then left again and contrived for both of them to touch the exterior door handle in closing the door. How, with this incredibly toxic nerve agent on them, they were out for three and a half hours, fed the ducks, went to the pub and went to Zizzis, eating heartily, before both collapsing on a park bench. How despite being different ages, sexes, body shapes and metabolisms they both collapsed, after this three hour plus delay, at exactly the same moment, so neither could call for help.
The BBC simply could not make a drama showing the purported actions that morning of the Skripals without it being blindingly obvious that the story is impossible. Luckily for them, we live in such a haze of British Nationalist fervor that much of the population, especially the mainstream media journalists and the Blairite warmongers, will simply overlook that. The omission of the actual “poisoning” from “The Salisbury Poisonings” is apparently just an artistic decision.
All those events happened before the timeline of this BBC Drama started. The BBC version started the moment people came to help the Skripals on the bench. However it omitted that the very first person to see them and come to help was, by an incredible coincidence, the Chief Nurse of the British Army. That the chief military nurse was on hand is such an amazing coincidence you would have thought the BBC would want to include it in their “drama”. Apparently not. Evidently another artistic decision.
The time from touching the door handle to the Skripals being attended by paramedics was about four hours. That Naloxone is effective four hours after contact with an ultra deadly nerve agent is remarkable.
I do not want to under-represent the personal suffering of policeman Nick Bailey nor his family. But he was shown in the drama as rubbing this “deadliest synthetic substance” directly into the soft tissues around his eye, but then not getting seriously ill for at least another 24 hours. Plainly all could not be what it seems.
The actual poisoning event, the specialist team coincidentally at the hospital and the Army Chief Nurse were not the only conspicuous omissions. Also missing was Skripal’s MI6 handler and Salisbury neighbour Pablo Miller, who did not rate so much as a mention. The other strange thing is that the drama constantly cut to newsreel coverage of actual events, but omitted the BBC’s own flagship news items on the Skripal event in those first three days, which were all presented by BBC Diplomatic Editor Mark Urban.
Now Mark Urban happens to have been in the Royal Tank Regiment with Skripal’s MI6 handler, Pablo Miller. Not distantly, but joining the regiment together at the same rank in the same officer intake on the same day. I do love a lot of good coincidences in a plot. Mark Urban had also met frequently with Sergei Skripal in the year before his death, to “research a book”. Yet when Urban fronted the BBC’s Skripal coverage those first few days, he kept both those highly pertinent facts hidden from the public. In fact he kept them hidden for four full months. I wonder why Mark Urban’s lead BBC coverage was not included in the newsreel footage of this BBC re-enactment?
There is much, much more that is wildly improbable about this gross propaganda product and I must save some scorn and some facts for the next two episodes. Do read this quick refresher in the meantime. How many of these ten questions has the BBC Drama addressed convincingly, and how many has it dodged or skated over?
Click here to read the same article posted today on Craig Murray’s blog
Ep 2: The Miracle(s) of Salisbury
It turns out that the BBC really does believe that God is an Englishman. When the simple impossibility of the official story on the Skripals finally overwhelmed the dramatists, they resorted to Divine Intervention for an explanation – as propagandists have done for millennia.
This particular piece of script from Episode 2 of The Salisbury Poisonings deserves an induction in the Propaganda Hall of Fame:
Porton Down Man: I’ve got the reports from the Bailey house
Public Health Woman: Tell me, how many hits?
Porton Down Man: It was found in almost every room of the house. Kitchen, bathroom, living room, bedrooms. It was even on the light switches. We found it in the family car too. But his wife and children haven’t been affected. I like to think of myself as a man of science, but the only word for that is a miracle.
Well, it certainly would be a miracle that the family lived for a week in the house without touching a light switch. But miracle is not really the “only word for that”. Nonsense is a good word. Bullshit is a ruder version. Lie is entirely appropriate in these circumstances.
Because that was not the only miracle on display. We were told specifically that the Skripals had trailed novichok all over Zizzis and the Bishops Mill pub, leaving multiple deadly deposits, dozens of them in total, which miraculously nobody had touched. We were told that Detective Bailey was found to have left multiple deadly deposits of novichok on everything he touched in a busy police station, but over several days before it was closed down nobody had touched any of them, which must be an even bigger miracle than the Baileys’ home.
Perhaps even more amazingly, as the Skripals spread novichok all over the restaurant and the pub, nobody who served them had been harmed, nobody who took their payment. The man who went through Sergei’s wallet to learn his identity from his credit cards was not poisoned. The people giving first aid were not poisoned. The ducks Sergei fed were not poisoned. The little boy he fed the ducks with was not poisoned. So many miracles. If God were not an Englishman, Salisbury would have been in real trouble, evidently.
The conclusion of episode two showed Charlie Rowley fishing out the perfume bottle from the charity bin at least two months in the timeline before this really happened, thus neatly sidestepping one of the most glaring impossibilities in the entire official story. I think we can forgive the BBC that lie – there are only so many instances of divine intervention in the story the public can be expected to buy in one episode.
It is fascinating to see that the construction of this edifice of lies was a joint venture between the BBC and the security services’ house journal, the Guardian. Not only is all round pro-war propagandist “Colonel” Hamish De Bretton Gordon credited as Military Advisor, but Guardian journalists Caroline Bannock and Steven Morris are credited as Script Consultants, which I presume means they fed in the raw lies for the scriptwriters to shape into miracles.
Now here is an interesting ethical point for readers of the Guardian. The Guardian published in the last fortnight two articles by Morris and Bannock that purported to be reporting on the production of the drama and its authenticity, without revealing to the readers that these full time Guardian journalists were in fact a part of the BBC project. That is unethical and unprofessional in a number of quite startling ways. But then it is the Guardian.
[Full disclosure. I shared a flat with Caroline at university. She was an honest person in those days.]
Again, rather than pepper this article with links, I urge you to read this comprehensive article, which contains plenty of links and remains entirely unanswered.
Click here to read the same article entitled “The Miracle of Salisbury” posted by Craig Murray on his official blog on June 16th.
Ep 3: Cynicism and Warmongering
The BBC plumbed the depths of hypocrisy in dressing up the final episode of the Salisbury Poisonings as a homage to Dawn Sturgess while systematically lying about the facts of her death, yet again to cover up the implausibility of the official narrative.
As I noted yesterday, the BBC drama appeared to show Charlie Rowley fishing the perfume bottle out of the charity bin at least two months ahead of when this really occurred, to make it more plausible that it had been dropped in there after the alleged attack on the Skripals. The question of how it had managed to sit in a charity bin for three months, when that bin was emptied regularly, was thus dodged.
The next alteration of a timeline by the BBC is just as crucial. The BBC had the discovery of the perfume bottle containing novichok happening before Sturgess’s death, whereas in fact the perfume bottle was not “discovered” until 11 July 2018, three days after Dawn’s death. The extraordinary thing about this is that the police had been searching Rowley’s flat intensively for “novichok” for over a week before coming across a perfume bottle sitting on the kitchen counter. As they were specifically looking for a phial of liquid, you would have thought that might have caught the eye somewhat sooner.
The final episode was more open in its attempts to provoke Russophobia than previous episodes, with images of Putin, Russia, and Boshirov and Petrov appearing. It is of course the case that the military, security service and arms manufacturing complex needs Russophobia to justify sucking away so much of our national wealth. So we should not be surprised this kind of propaganda is produced. We should also realise that those in the service of the elites that benefit from the political system will do everything they can to maintain the propaganda. It is possible to understand all of that, and still be very disappointed that so very many ordinary people fall for it. The sad fact is, propaganda works, and always has.
It is worth reminding ourselves that the Skripal incident was a propaganda initiative from day 1. The role of the Integrity Initiative and its Skripal group – in which the BBC was very much included – puts this BBC propaganda piece in its proper perspective.
I do not know what happened in Salisbury. I know that the British government story makes no sense whatsoever, and I know that the Russian government has not told us the truth about the identities of Boshirov and Petrov, otherwise their true identities would have been firmly documented and reported by now. What the Russians were doing remains a mystery, with possibilities ranging from assassination through liaison to extraction. What the British government was doing is equally murky, and whether the Skripals are willingly a part of MI6’s plans is by no means clear. Sergei’s continuing work for MI6 and his relationship with Pablo Miller are evidently key, while I suspect that Sergei’s role in Christopher Steele’s baroque, fabricated dossier on Donald Trump is probably the motive for the action.
The prosecutions of Julian Assange and Alex Salmond, and subsequently of myself, have stood in the way of my declared intention to make a documentary about the Skripal case, while the money you have so kindly contributed to my legal defence fund is almost as much as I needed to raise for the film. Attempting to counter the propaganda of the state while the state employs its legal mechanisms to drain your energy and resources is not easy. That is of course the standard lot of dissidents around the globe. It will not stop us.
Click here to read the same article entitled “Cynicism and Warmongering” posted by Craig Murray on his official blog on June 17th.